Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Friedrich von Amerling
Countess Nako

ID: 76552

Friedrich von Amerling Countess Nako
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Friedrich von Amerling Countess Nako


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Friedrich von Amerling

Austrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work,   Related Paintings of Friedrich von Amerling :. | Franz I | Likeness of a Girl | Die Mutter des Malers | In Traumen versunken | Little girl |
Related Artists:
Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
BELLINI, Jacopo
Italian Gothic Era Painter, ca.1400-1470 Born in Venice, Jacopo had been a pupil of Gentile da Fabriano. In 1411-1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death. Many of his greatest works, including the enormous Crucifixion in the cathedral of Verona (1436), have disappeared. From c. 1430 is the panel with Madonna and Child, in the Accademia Carrara, once attributed to Gentile da Fabriano. In 1441, at Ferrara, where he was at the service of Leonello d'Este together with Leon Battista Alberti, he executed a portrait of that Marquess, now lost. Of this period the Madonna dell'Umilt??, probably commissioned by one of the brothers of Leonello. The influence from Masolino da Panicale towards more modern, early Renaissance themes is visible in the Madonna with Child (dated 1448) in the Pinacoteca di Brera: for the first time, perspective is present and the figure are more monumental. Later he contributed with works now lost to the Venetian churches of San Giovanni Evangelista (1452) and St. Mark (1466). From 1459 is a Madonna with Blessing Child in the Gallerie dell'Accademia. Later he sojourned in Padua, where he trained a young Andrea Mantegna in perspective and classicist themes and where, in 1460, he finished a portrait of Erasmo Gattamelata, now lost. Of his late phase, a ruined Crucifix in the Museum of Verona and an Annunciation in Sant'Alessandro of Brescia remain.
Camillo Procaccini
(1551 - August 21, 1629) was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration. Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters. In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. His other works of note include the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci (1605 - 1609), and the vault and choir in Santi Paolo e Barnaba of Milan. Also famous is a Nativity in the Sacro Monte d'Orta. Among his pupils is Carlo Biffi. Among his many other works are a Martyrdom of St. Agnes painted in fresco in the sacristy of Milan cathedral; a Madonna and Child painted for the church of Santa Maria del Carmine; an 'Adoration of the Shepherds found in the Brera; and the ceiling of the church of Padri Zoccolanti, representing the Assumption of the Virgin. eall in the same city. He also painted a Last Judgment for the church of San Prospero at Reggio; He painted a St. Roch administering the Sacrament to the Plague-stricken.






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